Other tracks such as “Coliseum”, “Century of the Patriarch”, and even the staff roll “Thank You, Everyone” also feature loud top-heavy orchestration that is highly striking in the game, but are a little obnoxious outside it. With its relentless chords and thunderous percussion, “The Destined Child”, for instance, makes a massive impact despite its brevity and unoriginality. Yet whereas Breath of Fire featured elaborate gothic-tinged orchestrations, the treatment of the orchestra is often plain and straightforward here, if still effective. The original version nevertheless features most of the major compositions and is of potentially some merit… BodyĪs evidenced from the opening themes, Breath of Fire II continues the epic orchestral focus of the series.
The initial soundtrack release for the game was incomplete, featuring one disc of music, though Capcom eventually resolved this by releasing a complete box set. While a talented composer, not all her contributions to this score are a clear progression from the predecessor. However, the ensemble team who scored the original Breath of Fire were replaced by a single composer, Yuko Takehara. Among the similarities include the focus on orchestral elements, the use of RPG staples, and the employment of similar synth samples. Of all the scores in the series, Breath of Fire II‘s has the most noticeable continuity with its predecessor. The Super Nintendo’s Breath of Fire II continued Capcom’s dragon saga in 1994 to largely impressive results.
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